Virtual Tape Machines v1.1.11.1 WiN

TEAM AudioUTOPiA | 29.09.2016 | 97.8 MB

AAX* / VST2 / VST3 / x86 / x64

Digital recording is now the standard for professional music production. But many engineers and musicians long for the days of analog recording, and for good reason. Analog Tape Machines have a SOUND. Big, fat, warm, deep, rich and exciting are just some of the terms used to describe what recording onto a piece of magnetic tape sounds like. To those that know, tape is simply more musical.

VIRTUAL TAPE MACHINES
To capture the sound of tape is to capture a living, breathing sound that dynamically reacts to the music going on to it.  With models of both a 2 inch 16 track from NRG Recording, and a ½ inch 2 track machine from Howie Weinberg Mastering, the VTM will give your mixes an absolutely authentic analog vibe that will take your mixes to the next level. With added dimension, fatness, depth, and warmth, you’ll wonder how you ever mixed without it!

Features:
– Two tape machine types:
– 2″ 16 track
– 1/2″ mastering deck
– Two tape formulations
– Two speeds: 15 ips and 30 ips
– Noise reduction control and auto mute
– Wow & Flutter control
– Bass alignment control
– Normal, Low & High Bias settings
– Level Calibration
– VU ballistics
– Grouping control
– Settings global or per channel
– Tape reels start and stop in sync with DAW transport

READ NFO
INFO/DEMO: https://goo.gl/bqwHHP
Virtual Tape Machines v1.1.11.1 WiN-AudioUTOPiA
http://beelink.in/29621/Virtual-Tape-Machines-v1.1.11.1-WiN-AudioUTOPiA.html

Auto-Tune v8.1.1 VST3 WiN

TEAM AudioUTOPiA | 01.10.2015 | 25.8 MB

Building on over 17 years as the overwhelming choice of professional musicians, producers and engineers, Auto-Tune 8 is the new generation of genuine Auto-Tune pitch and time correction. New in Auto-Tune 8 is Antares’ revolutionary new Flex-Tune real-time pitch correction technology. While providing the seamless, natural pitch correction and audio quality that Auto-Tune is known for, Flex-Tune correction gives singers unmatched freedom to exercise their vocal creativity.

In addition to the option of Flex-Tune, Auto-Tune 8 features a new ultra-low latency mode for use during tracking or for live performance, along with a variety of workflow enhancements designed to let you address your pitch and time correction tasks with a maximum of creativity and a minimum of frustration

INFO/DEMO: http://redi.se/3fcy
Auto-Tune v8.1.1 VST3 WiN-AudioUTOPiA
http://beelink.in/29622/Auto-Tune-v8.1.1-VST3-WiN-AudioUTOPiA.html

Altiverb 7 XL v7.2.8 WiN

TEAM AudioUTOPiA | 11.8.2016 | 4.66 GB

Altiverb 7 is the industry standard convolution reverb plug-in for Mac OS X and Windows. It features top quality samples of real spaces to create reverb, ranging from Sydney Opera House to the cockpit of a Jumbo Jet. Altiverb 7 is efficient on the cpu, offers many parameters to tweak the reverb, it is total recall automatable, and it has 64 bit support. Every month Altiverb 7 users receive new impulse responses for free.

Music Spaces
The Altiverb Library of Acoustics contains the most sought after spaces for music. The main concert halls of the cities of Berlin, Los Angeles Vienna and Amsterdam for your orchestral work. Or legendary rock studios from New York or Paris. But you can also put your audio in French Cathedrals, the Gol Gumbaz of India or London’s Wembley stadium.

Vintage reverb gear
Altiverb contains a tremendous amount of classic reverb gear and purpose built echo chambers. You’ll find all the EMT plates you want, spring reverbs, classic digital gear like the 480, 224, the AMS RMX 16 or the EMT 240. Add the Frank Sinatra and Beach Boys echo chambers and you have everything you need to recreate all those classic sounds.

Experimental Responses
Grab any sound from your tracks or the Finder and toss it on Altiverb to use it as an impulse response. Try piano chords, breaking glass, spoken word, thunder or a drum loop. In convolution each sample of the input is replaced by the entire impulse response. So if you use a piano chord as an impulse Response, and you clap your hands into Altiverb, out comes the chord.

Stage Positioning
An exhaustive recording session in a Viennese concert hall gave us an algorithm that allows you to accurately place your sound anywhere on stage of all our concert halls, or in any of our other rooms. Physically correct sound placement using the Altiverb Stage Positioner creates a stunningly realistic audio panorama.

Musical gates and delays
To tie your reverb effects more to your tracks Altiverb 7 features a reverb gate that is set using note values. And it is tied to your song’s tempo. Any reverb tail can be reversed and handles the same way, and Altiverb’s pre-delay can also be set in this manner, so it is easy to put that slap-back delay in a musical spot.

Brightness and Chaos
The Brightness parameter closely fits a classic synthetic reverb on top of the Impulse Response. This adds a particular brightness in a way EQ never can. Toss in a bit of chaotic modulation in your reverb and not every hit will sound identical in the reverb. Slightly out of tune notes will be covered up in the reverb tail by modulation.

INFO/DEMO: https://goo.gl/30iMbm
Altiverb 7 XL v7.2.8 WiN-AudioUTOPiA
http://beelink.in/29623/Altiverb-7-XL-v7.2.8-WiN-AudioUTOPiA.html

StereoDelta v1.1 VST WiN

Team AudioUTOPiA | 29 Oct 2016 | 45.3 MB

StereoDelta spatial processor plug-in – The magic happens inside. StereoDelta is an easy to use spatial processor, available as AAX/AU/VST/VST3 plug-in, with one powerful knob to control your stereo image. From true mono to three dimensional width, StereoDelta always maintains a natural sound thanks to DrMS technology inside.

Some might find the power of the critically acclaimed DrMS plug-in a bit overwhelming. This is where StereoDelta comes in:
One knob controls several parameters of the advanced DrMS algorithm inside at once. Well chosen internal parameter combinations make StereoDelta a flexible and creative tool for instant high quality useful and unique results.

StereoDelta’s single control knob goes from true mono fold down (save all stereo info into mono!) at the left of its range, over your original stereo at 12 o’clock, into 3D expanded stereo to the right. StereoDelta’s DrMS style widening does not only make your soundstage wider, but also deeper, more open, more real. And always with the confidence of mono compatibility.

StereoDelta spatial processor features:
– Native AAX, AU, VST, VST3 – 32 & 64 bit plug-in for OSX & Windows
– Spatial audio processing based on the acclaimed DrMS plug-in
– From true mono folddown – save stereo info in mono! – to larger then life stereo with one simple turn
– Full mono compatibility
– Internal Autogain circuit for constant output level

INFO/DEMO: http://redi.se/3fcz
StereoDelta v1.1 VST WiN-AudioUTOPiA
http://beelink.in/29624/StereoDelta-v1.1-VST-WiN-AudioUTOPiA.html

6050 Ultimate Channel Strip v6.2.0.10 WiN

Team AudioUTOPiA | 29 Oct 2016 | 82.6 MB

The 6050 Ultimate Channel Strip has everything you need to make your mix sound great. All the modules from the award-winning 6020 Ultimate EQ and 6030 Ultimate Compressor plug-ins are included. Additional modules include gates, expanders, signal saturators, and specialized filters. The 6050 Ultimate Channel Strip has input and output stages, wrapped around 3 module bays in which any of the 28 modules can be inserted. Easily drag and drop any module to rearrange the signal flow of your channel strip. A module selector panel allows quick auditioning of equalizers, compressors and additional effects. Like the original 6020 and 6030 plug-ins, each new module in the 6050 draws on classic and modern designs over the last four decades. Operation is simple and intuitive, and the sound quality is what professionals worldwide have come to know in McDSP plug-ins.

Artist Presets included from: Mike Dean, Bob Horn, Neal Avron, ROCAsound, John Feldmann, Aaron Harris, and Lovy Longomba.

Features:
– Over 25 EQ, compressor, gate, expander, saturator, and filter modules
– Easy drag and drop, on the fly module auditioning
– Side chain support
– Analog Saturation modeling
– Double precision processing
– Ultra low latency
– Mono and stereo versions

INFO/DEMO: http://redi.se/3fd0
6050 Ultimate Channel Strip v6.2.0.10 WiN-AudioUTOPiA
http://beelink.in/29625/6050-Ultimate-Channel-Strip-v6.2.0.10-WiN-AudioUTOPiA.html

Virtual Buss Compressors v1.2.9.1 WiN

Team AudioUTOPiA | 29 Oct 2016 | 194.2 MB

Virtual Buss Compressors is a suite of three unique-sounding dynamic processors, all 100% modeled after top analog mastering gear and thus ideal for program material.  Every nuance of real analog compressors has been modeled, including the exact nonlinear characteristics of their transformers, tubes, VCAs, amplifiers, phase distortions, harmonic distortions, and timing.

FG-RED
This compressor is based on the classic RED-faced compressor that has been a favorite of mix legend Chris Lord Alge, who first showed it to me when I visited his studio years ago. I thought it was odd actually: here was this compressor that nobody else seemed to really use, and it was on a setting at 1.5:1 and the attack looked very fast for a Mix-Buss compressor. This was puzzling because I usually associated a faster attack with a loss of transient punch, but if you’ve heard Chris’s mixes you know that they are the exact opposite of that! So being the classic gearslut, I bought one, (I got the unit with both input and output transformers). The first thing I did was put it on my mix in the settings that Chris showed me… 1.5:1, attack around 10/11 o’clock, auto release, compressing just 2-3db tops. And…. WOW! One of the clearest, punchiest sounding rock mixes I’d ever heard come out of my own speakers. This unit was amazing!!!

FG-GREY
The FG-GREY starts off with a very precise model of the classic British “4000 series console compressor”. I’ve used the hardware model for many years but I never fully appreciated just how magnificent the piece is until studying it during the modeling process. It has a way of being able to tighten and ‘gel’ the components of a mix in ways that can go from fairly transparent in auto-release mode, to very aggressive in manual mode.

FG-MU
I’ve been lucky enough to hear and use some of the most classic and hard-to-find tube buss compressors on the planet (like the Fairchild 670 and Manley Vari Mu), and let me tell you, there is some real magic that happens when your mix goes through a brilliantly-designed piece of tube gear. The midrange thickens, the lows get tighter and rounder, and the top end opens up with a beautiful sparkle… even better, those harsh upper mid overtones seems to get tamed too. For the FG-MU, we put all of these wonderful qualities into the algorithm. To experience FG-MU for the first time you don’t even have to do any compression, as just going through the processor without any gain reduction will reveal a beautiful open sound due to the modeling of the tube circuit path. Even when I’m using the FG-GREY or FG-RED, I love using the VBC Rack just so I can have the audio pass through the FG-MU!

INFO/DEMO: https://goo.gl/k2knJw
Virtual Buss Compressors v1.2.9.1 WiN-AudioUTOPiA
http://beelink.in/29626/Virtual-Buss-Compressors-v1.2.9.1-WiN-AudioUTOPiA.html

Professional Music Production v1.1.4 macOS

TNT | Oct 29 2016 | 19 MB

Millions of people use Professional Music Production to listen and create to music, audio, create ringtones, download music for your iPhone. Professional Music Production includes a massive collection of instruments, effects, and loops, providing a complete toolkit to create amazing-sounding music. Professional Music Production is a revolutionary audio music creation package built around the concept of step sequencing. Without any musical knowledge users can build creations they can be truly proud of and call their own. Professional Music Production is a full-featured sequencer perfectly suited for creation of complex songs and realistic drum loops, with 32 – 64 bit internal mixing and advanced MIDI support. The resulting song or loop can be exported to a WAV/MP3 file and all MIDI events can be exported to a standard MIDI file.

Is a revolutionary audio music creation package built around the concept of step sequencing.

Without any musical knowledge users can build creations they can be truly proud of and call their own.

Features:
-Sample accurate timing using DSP.
-Scale and key adjustment
-Editable reverb and delay (BPM synced)
-Customizable sounds via drag and drop
-Project guide to help you get started quickly
-Adjustable tempo range

Interface:
-Consolidate and control multiple tracks or create rich, layered instruments with Track Stacks
-An enhanced Mixer lets you move, copy, and bypass channel inserts more efficiently
-Autosave keeps your work safe and sound

Synths:
-Get inspired by collection of synths
-Quickly find sounds or create unique new ones
-Instantly turn a simple chord into a rich performance with the Arpeggiator
-Transform simple ideas into elaborate performances using nine MIDI plug-ins

Production Effects:
-Play your sounds through realistic acoustic spaces
-Use a range of multi-tap
-Add movement to your tracks with a variety of modulation effects
-Access the Tuner with just a click to quickly get in tune

Version 1.1.4:
-Bugs fixed

INFO/DEMO: https://goo.gl/rd6jwz
Professional Music Production – Edition 1 v1.1.4 macOS-TNT
http://beelink.in/29627/Professional-Music-Production-Edition-1-v1.1.4-macOS-TNT.html

Omega Transformer A & N v1.0.4 WiN

Team AudioUTOPiA | Oct 29 2016 | 73 MB

AAX* / VST2 / VST3 / x86 / x64

If I’ve got tracks that need more vibe, more color, and less of the fast, sharp transients digital is famous for, Omega Transformer plugins are my weapon of choice. Transformer plugins are extremely cool on their own, giving my VI’s, loops, and found sounds the character of carefully chosen, boutique analog circuits. When a Transformer is used on tracks recorded with the Omega Preamp, the effect is quite stunning: a dead-on replication of the original hardware’s sonic signature. This is not “sounds kinda like…” this is “sounds exactly like”. Transformer plugins are very simple to use — just turn the Intensity knob and a lovely, distinct flavor unfolds. The resulting Transformed tracks mix easier, sound sweeter, give EQ’s more mojo to extract, and feed compressors a rounder, punchier transient to play with. The result is, to my ears, a truly magical Transformation.

READ NFO
INFO/DEMO: http://redi.se/3fd1
Omega Transformer A and N v1.0.4 WiN-AudioUTOPiA
http://beelink.in/29628/Omega-Transformer-A-and-N-v1.0.4-WiN-AudioUTOPiA.html

R2 Stereo Reverb v3.0.2 WiN

Team AudioUTOPiA | Oct 29 2016 | 113 MB

AAX* / VST2 / VST3 / x86 / x64

The R2 reverb plug-in is a reverb with attitude. In many ways, it harkens back to classic reverbs of the 80’s and 90’s. The reverb tail is fat and full of movement. The chorus controls can even add subtle (or unsubtle) pitch effects.

READ NFO
INFO/DEMO: https://goo.gl/8xyqik
R2 Stereo Reverb v3.0.2 WiN-AudioUTOPiA
http://beelink.in/29629/R2-Stereo-Reverb-v3.0.2-WiN-AudioUTOPiA.html

VMR Complete Bundle v1.5.0.1 VST WiN

Team AudioUTOPiA | Oct 29 2016 | 568 MB

AAX* / VST2 / VST3 / x86 / x64

Virtual Mix Rack includes four world class mix modules, including two classic equalizers and two versatile mix compressors, with more modules to be developed. The ‘VMR’ operates as a Virtual 500 series rack with hot-swappable modules, putting your whole processing chain in ONE WINDOW. This allows you customize your own channel strip, with signal flow following the modules, in any order you choose. Mix and match filters from different EQs. Chain an EQ before or after your compressor. Moving modules around is easy, fast, and creates no break in audio playback. Audition signal chains faster, easier, and in real time with’VMR’.

FG-401
VCA COMPRESSOR
The FG-401 started as a recreation of the classic British console channel compressor, but morphed into a whole lot more. First, we gave it variable attack and release with increased range, which added more tonal options. After that we added an input transformer stage – but not just any transformer, the famous transformer from the British Class A Console! This adds a beautiful warmth and sheen to the compressor, and lastly we added an entirely unique second circuit path that provides an additional smooth and rich tone. The FG-401 is perhaps the most versatile mix compressor in the world, and it can sound good on any source you feed into it!
Let’s Do This FG-401 VCA Compressor

FG-S
BRIT-4K EQ
The FG-S is a digital recreation of one of the most famous British console equalizers from the 80’s. This equalizer also has rich harmonics and interactive mid bands with a fat musical tone. This is the ultimate workhorse mix eq that can be used on any track – great for surgical cutting strokes, or wide bell and shelf strokes for making drums and guitars punch out of the speakers.

FG-N
BRIT-N EQ
The FG-N is a digital recreation of one of THE most classic discrete Class A British equalizers from the 70’s. All aspects of the circuit were modeled, including the rich harmonics and saturations that naturally occur when the equalizer is in use. The hardware only contained one mid band, but we added another to make the Brit-N even more versatile than the original. This equalizer is lush and fat, and it sounds great on everything you send through it.

FG-116
FET COMPRESSOR
The FG-116 is a precise replication of the classic American FET limiter, and no expense was spared capturing every nuance of this amazing device. From its trademark timing characteristics to the extremely musical sound of its transformer, the FG-116 gives engineers and producers the musical and fat tone that has made the hardware so famous. The FG-116 sounds great on everything from lead vocals and drums to bass guitars.

TRIMMER
The Trimmer is a useful module that performs a few basic but essential operations within the Virtual Mix Rack: RMS and Peak Level Monitoring, a simple Trim control and a Phase Reverse Switch. When using it in the first slot, the Trimmer allows you to define how the signal will hit the following VMR module, with a precise output level monitoring.

The VMR plugin is also modular, and new processors will be added in the future which will further enhance its powerful functionality.

INFO/DEMO: http://goo.gl/Eh9mKV
VMR Complete Bundle v1.5.0.1 VST WiN-AudioUTOPiA
http://beelink.in/25072/VMR-Complete-Bundle-v1.5.0.1-VST-WiN-AudioUTOPiA.html

Final Cut Pro X v10.3.0 MAC

TNT | Oct 29 2016 | 2.78 GB

At the heart of Final Cut Pro X is a flexible timeline Magnetic Timeline, a new approach to video editing without the tracks with the ability to add and organize videos as convenient to the author, while the other clips immediately disappear from the screen. The author can use the Clip Connections for pasting clips from other key elements such as titles and sound effects, while maintaining perfect synchronization of all elements regardless of their movement.

Revolutionary Video Editing
• Assemble clips in the Magnetic Timeline without clip collisions or sync problems
• Use Clip Connections to attach B-roll, sound effects, and music to the timeline
• Reduce clutter by grouping clips into a Compound Clip.
• Perfect your pacing right in the timeline with the Inline Precision Editor
• Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
• Edit multi-camera projects with automatic sync and support for up to 64 camera angles

Powerful Media Organization
• Organize your work within libraries for efficient media management and collaboration
• Work natively with a broad range of formats including RED, AVCHD, H.264 from DSLRs, and more
• Content Auto-Analysis captures camera metadata and analyzes shots in the background
• Create and apply custom keywords on the fly as you select ranges in clips
• Smart Collections let you dynamically organize content and find any shot in a few clicks

Incredible Performance
• Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
• 64-bit architecture uses all the RAM in your system for larger projects and richer effects
• Background processing lets you keep working without interruption
• External monitoring lets you route video and audio through HDMI or third-party Thunderbolt and PCIe devices

Compelling, Customizable Effects
• Beautifully animated, easily customizable 2D and 3D titles
• Preview effects to see how they look with your footage before applying them
• Change the look of titles, transitions, and effects using intuitive controls
• Control effects with precision using a keyframe editor that appears directly in the timeline
• Use third-party FxPlug plug-ins with custom interfaces and dual-GPU support

Integrated Audio Editing
• Expand and edit multichannel audio files directly in the timeline
• Let Final Cut Pro repair significant audio problems such as hum, excessive noise, and more
• Sync DSLR video with separate audio in a single step, with instant audio waveform matching

Intuitive Color Grading
• Improve the look of any clip with the single-click Balance Color feature
• Apply the Match Color feature to match the looks of two clips shot under different conditions
• Manipulate color, saturation, and exposure with the Color Board
• Fine tune color for a specific color range or area of the screen using keying and masks

One-Step, Optimized Output
• Deliver projects for playback on Apple devices and websites such as Vimeo, YouTube, and Facebook
• Use themed menus to quickly author and burn a DVD or Blu-ray disc
• Export customized audio stems and multiple versions of a finished video using Roles metadata
• Import and export XML to support third-party workflows

What’s New in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Create, assign, and customize the colors of roles to identify different types of audio and video clips
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Configure color spaces for both libraries and projects
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range
• Video scopes display wide color in real time

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• MXF master file export uses audio roles to configure industry-standard channel layouts
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
• Copy and paste timecode to speed up numerical entry from text documents
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Search custom metadata in the Browser and Timeline
• Search Timeline Index for Auditions, Compound clips, Multicam clips, and Synchronized clips
• Ability to roll trim on adjacent anchored clips
• Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
• Skim and select ranges of audio files in the Music and Sound Effects browser
• Use a Thunderbolt cable for direct A/V output to an external display, without the need for a separate I/O device
• XML 1.6 supports role-based audio components for Magnetic Timeline 2
• Enhanced XML support lets you import projects and clips into existing events
• Ability to drag and drop clips, projects, and events as XML with supported applications

INFO/DEMO: http://goo.gl/ulNl4H
Final Cut Pro X v10.3.0 macOS-TNT
http://beelink.in/16849/Final-Cut-Pro-X-v10.3.0-macOS-TNT.html

FL Studio Mobile v3.0.39 FULL

P2P | 29.10.2016 | 719.99 MB

FL Studio Mobile 3 is the next chapter of development, for the application, there is no going back. FLM2 development ended and the App will slowly break as Android/iOS devices and the operating system evolve (the clock is now ticking for FLM2 if you are still using it). Rather than leave FLM2 customers in the dark, and make them pay again for FLM3, we decided to replace one with the other. FLM3 includes more free synths, instruments, effects and capabilities. This also includes fully synchronized Android/iOS development and an architecture that also works on Windows, Windows Phone and as a plugin in FL Studio. Later, there will also be a Mac version. FLM3 is vectorial, it will work on any screen size from a phone to a wall-sized TV. We are excited about FLM3 because it delivers a bright future for FL Studio Mobile and represents our commitment to FL Studio Mobile and continued free updates for our customers.

FEATURES:
• High quality synthesizers, sampler, drum kits & sliced-loop beats
• Step sequencer for fast percussion programming
• Configurable virtual piano-keyboard
• Configurable virtual drum-pads
• MIDI controller support. Play keys, pads and link controllers to targets in FL Studio Mobile
• Audio tracks: audio recording (with monitoring), wav import
• Browser with preview button and logical sorting into Instruments, Synths, Drum kits & Loops
• Pan, volume, release and attack time configurable per instrument
• High quality, battery-friendly audio engine (input/output latency depends on your device)
• Effects include Auto Ducker, Chorus, Compressor, Limiter, Distortion, Parametric Equalizer, Graphic Equalizer, Flanger, Reverb, High-Pass/Low-Pass/Band-Pass/Formant (Vox) Filters, Delays and Phaser to enhance your mix
• Multi-track sequencer and intuitive editing options
• Per-track mute, solo, effect bus, pan and volume adjustment
• Edit at the level of tracks, bars or down to individual notes
• Piano roll editor for manual entry of note & chord sequence data or detailed editing of recorded performances
• Undo for all editable screens
• Metronome with fine-tempo settings
• Intuitive screen layout configurable to work with all screen resolutions and sizes.
• Multi-touch gestures with resize, pinch and long tap for extra functions.
• Save and load your songs, export to WAV and AAC
• Share your songs via Sync to other Mobile 3 devices / installations
• Android 4.1 or later required

WHAT’S NEW
FL STUDIO MOBILE 3.0.1
* Recovers lost FLM2 projects/Samples/Data
* Improved playback of FLM2 projects
* Improved Stepsequencer
* File Sync function works
* Fix for incorrect tap detection on some Samsung Galaxy devices

TRAINING & SUPPORT

A good place to start is the Getting Started video:

This video explains where your user data/files are (as far as they are currently available):

Example how to load custom drum samples

INFO/DEMO: FL Studio Mobile v3.0.39 FULL UNLOCKED ANDROiD-P2P
http://beelink.in/27082/FL-Studio-Mobile-v3.0.39-FULL-UNLOCKED-ANDROiD-P2P.html

Guitar Tutor Pro v13 ANDROiD

P2P | 29.10.2016 | 11.1 MB

Over 600 Riffs and Songs to learn from different eras and genres.

– Choose between Classical or Electric Guitar (clean / distortion).
– Play Chords or Solo with support to improvise in any key.
– Learn Scales, Chords and Modes in any position.
– Exercises to test your knowledge.
– Support for left handed players.

Riffs
– Listen and play back. Start with a few notes then build up.
– Riffs cover all genres.

Learn Scales
– A reference to look up any scale in any key.
– Practice by play and repeat.
– Change the position.

Scales Game
– Test your knowledge of scales.
– Choose a level, or decide which scales to be tested on.
– See how you are progressing over time.

Solo Jam
– Select the scale or mode in which you wish to solo in. This will highlight all the right notes within the selected key on the whole fretboard. Then jam to it by aiming to play from the highlighted keys. You’ll be surprised how good you’ll sound just by hitting a few of the right notes! Play to a click and choose different percussion as backing.
– Play to a backing track.
– Record.

Chord Songs
– Follow the recommended chords to play the songs.
– Switch between open and bar chords and learn the chords on the fretboard.

Learn Chords
– A reference to look up any chord in any key.
– Change from open or 6th String, 5th String, 4th String
– Strum the chords.

Chord Jam
– Learn which chords go well with each other for any key and come up with your own chord patterns.

WHAT’S NEW:
– v13 – Improved Solo Jam
– Option to highlight correct notes in scale
– Option to see intervals within a scale
– Requirements: Android 4.0.3+

INFO/DEMO: https://goo.gl/ny8zgg
Guitar Tutor Pro v13 Improved Jam ANDROiD
http://beelink.in/29630/Guitar-Tutor-Pro-v13-Improved-Jam-ANDROiD.html

Audience Reactions Sound Effects CD1,2,3,4

P2P | 21.10.2016 | CD1: 87.7 MB | CD2: 96.6 MB

CD3: 54.68 MB | CD4: 70.2 MB

The royalty sound effects include studio audience material, larger arena & sports stadium crowds, and children’s reactions. We include negative reactions like booing & hissing, angry yelling, screams of fear and panic as well as positive reactions like cheers and whistles, standing ovations, surges of applause and exclamations of “Bravo”, “Encore” and “Yea”. There are small studio audiences politely applauding and chuckling and huge sports arena crowds stomping their feet and clapping to beat the band.

INFO/DEMO: https://goo.gl/n0DSOK
Audience Reactions Sound Effects CD 1,2,3,4 MP3
http://beelink.in/29382/Audience-Reactions-Sound-Effects-CD-1-2-3-4-MP3.html

BigQ VST x86 WiN

P2P | 29.10.2016 | 4.16 MB

Envelope follower / multifilter. Cutoff (frequency) of filter is controlled by amplitude of input signal. Louder you play more intensive cutoff frequency of filter is modulated. Perfect for BASS guitar, Electric guitar and Drums.

Top features:
– 4 selectable filters (low pass, high pass, band pass, peaking)
– Envelope follower module with attack and release knobs, which modulate filter´s cutoff frequency
– Envelope amount knob
– Input gain knob – louder is input signal more significantly is modulated filter frequency/cutoff
– Dry/Wet knob – set ratio between dry and wet (effected) signal
– Up/Down switch – cutoff frequency of filter can be modulated in negative or positive direction (up or down)
– Analog drive switch adds little bit of warm
– Bypass switch

INFO/DEMO: http://redi.se/3fd2
BigQ Envelope follower VST x86 WiN
http://beelink.in/29631/BigQ-Envelope-follower-VST-x86-WiN.html

Apple Motion v5.3.0 macOS

TNT | 30.10.2016| 2.05 GB

Another must have plugin if you use Final Cut Pro! Enjoy.

Motion is a software application produced by Apple Inc. for their Mac OS X operating system. It is used to create and edit motion graphics, titling for video and film production, and 2D and 3D compositing for visual effects. The Motion interface has been redesigned specifically for Final Cut Pro editors, with a familiar look and feel that makes it easy to switch between the two applications. A new single-window layout puts all the tools you need at your fingertips, and redesigned icons make it easy to identify options at glance. The darker look of the new interface is designed to enhance color perception as you work with any combination of video, stills, and motion graphic elements. Many filters now include onscreen controls for direct, intuitive manipulation of effects. And keyframe editing is much more accessible thanks to a new view that displays the Keyframe editor below the timeline.

Beautiful results with a single click.
Creating chroma keys has never been easier. Just drag and drop the Keying filter for an instant chroma key that is accurate for most projects. If the blue- or green-screen background is unevenly lit, or if there are other problems in the original footage, use onscreen controls and a simple slider to adjust the key color and edge softness. For additional adjustments, instantly access advanced controls, including an intuitive color wheel.

Breakthrough Speed and Quality
• 64-bit architecture. ColorSync consistency.
Designed to use every bit of the power of Mac OS X and multicore Mac computers, Motion operates at blazing speeds and maintains precise color accuracy at every step.
• 64-bit architecture
With its new 64-bit architecture, Motion lets you create deeper, more interesting multilayered effects for use in Final Cut Pro.
• ColorSync-managed color pipeline
Trust the color consistency across Motion, Final Cut Pro, Compressor, and QuickTime.
• Shared Render Engine
Render with consistent performance and pristine quality across Motion, Final Cut Pro, and Compressor.
• High-quality rendering
Using the Shared Render Engine, create blurs, scales, and lighting effects in floating-point, linear-light color space — the same quality found in high-end compositing software.
• Resolution independence
Use still images and clips without any size limitation.
• Cocoa foundation
See dynamic feedback in a highly responsive interface.
• GPU utilization
Create more complex, higher-resolution effects that play in real time.
• Grand Central Dispatch
Save time with faster processing for certain functions through the use of all CPU cores.

INFO/DEMO: https://goo.gl/tdRM6T
Apple Motion v5.3.0 macOS-TNT
http://beelink.in/17378/Apple-Motion-v5.3.0-macOS.html

Apple Compressor v4.3.0 MAC

TNT | 30.10.2016 | 412.30 MB

If you use finalcutpro, this is an interesting plugin…

Compressor integrates tightly with Final Cut Pro to add power and flexibility to your video conversions. A simple interface lets you quickly customize output settings, enhance images, and package your film for sale on the iTunes Store. For even faster conversions, easily set up distributed encoding using other Mac computers.

Advanced Encoding for Final Cut Pro
• Use Compressor to customize encoding settings for Final Cut Pro
• Save your custom settings in Compressor and they automatically appear in Final Cut Pro
• Set up batch processes to streamline the encoding of large numbers of files
• Build custom Destinations to combine encoding with additional tasks such as moving or copying files
• Create self-contained Droplets to encode on the desktop with drag-and-drop ease
• Share settings with other editors, even if Compressor isn’t installed on their systems

iTunes Store Package Creation
• Import and organize your movie, trailer, closed captions, and subtitles into an iTunes Store-compliant package for submission to an Apple-certified iTunes delivery partner
• Audition video with any audio, caption, or subtitle to verify sync
• Built-in error detection helps you identify issues with your iTunes Store Package and navigate directly to the source of the issue

Support for Industry Standards
• Encode to a broad range of industry standard formats including MPEG-4, H.264, MXF and ProRes
• Work with a choice of themed menus to encode and burn a DVD or Blu-ray disc
• Generate files for HTTP live streaming in a single step
• Import Targa, DPX, TIFF, PSD, PNG or OpenEXR image sequences and encode them to any setting
• Tap into advanced encoding features for adding closed captioning, metadata, and more

Pristine Format Conversions
• Convert any file between formats — such as NTSC to PAL, SD to HD or progressive to interlaced video
• Import and manipulate wide color video, then deliver in standard Rec. 601 and Rec. 709 color spaces or in wide Rec. 2020 color space
• Use CABAC entropy multipass H.264 encoding for superior results with hardware-accelerated export on supported systems
• Clean up and customize your content using image filters, a timecode overlay, and watermarks
• Speed up video, slow it down, or adjust the frame rate to make the duration match a runtime

Distributed Encoding
• Save time by distributing encoding work among multiple workstations
• Install Compressor on any Mac to activate it as a node for distributed encoding
• Speed up encoding in Final Cut Pro by choosing a group of shared computers for exporting

Compatibility: OS X 10.10.4 or later, 64-bit processor

INFO/DEMO: http://goo.gl/deLcaV
Apple Compressor v4.3.0 macOS-TNT
http://beelink.in/16890/Apple-Compressor-v4.3.0-macOS-TNT.html

RarmaRadio Pro v2.71.1 WiN

P2P | 30.10.2016 | 11.5 MB

RaimaRadio allows you to listen to and record radio stations from around the world. While listening to your favorite radio stationyou can record it anytime you want. Browse through the radio stations or just select a random station and enjoy Internet radio! You have total control over your radio stations allowing you to add or delete a station anytime you want. Need to play a station from another applicaton then just enable global hotkeys and control it anytime. With RarmaRadio you can receive and record thousands of radio stations available on the Internet.

Key Features
* Listen to and record multiple stations simultaneously
* Create a schedule for automatic recording
* Show cover art and lyrics for each song*
* Save tag information to music files*
* Ability to add more stations
* Add or update stations in the online database**
* Store your favorites online**
* Play random station
* TV support
* Language support.

Minor Update 2.71
– Fixed: Cover art and lyrics
– Added: m3u8 support

OS : Windows XP, Vista, 7, 8, 10
Language : Multilingual

INFO/DEMO: http://redi.se/3fd3
RarmaRadio Pro v2.71.1 MULTiLANG WiN
http://beelink.in/29632/RarmaRadio-Pro-v2.71.1-MULTiLANG-WiN.html

Paid The Plug Drum Kit WAV

FANTASTiC | 29 October 2016 | 36 MB

Custom Drum Kit! If You Need Some Fresh Custom Made Sounds For Your Trap Beats & Hip Hop Beats Then The “Paid The Plug” Drum Kit Is Perfect For Your Music Production! Contains 106 High Quality Custom 808’s, Snares, Loops, Hats, Percs, & Vox! Each Sound Has Already Been Mixed Perfectly To Hit Hard & To Bring That Radio Ready, Industry Quality In Your Own Mix.

INFO/DEMO: http://redi.se/3fd4
Paid The Plug Drum Kit WAV
http://beelink.in/29633/Paid-The-Plug-Drum-Kit-WAV.html

How To Use Valhalla Freq Echo TUTORiAL

SYNTHiC4TE | Oct 29 2016 | 39.3 MB

‘How To Use Valhalla Freq Echo’. Perfect for dub, Dr. Who and all of your psychedelic needs. Sonic results range from subtle chorusing and double tracking to barberpole phasing and flanging to endless glissandos and runaway echoes. This free plugin will add to your sonic arsenal, and is not too taxing on precious CPU cycles. Here, Pim gives us an overview, then takes us through some nifty real world examples and how he likes to use it in his productions.

INFO/DEMO: http://redi.se/3fd5
How To Use Valhalla Freq Echo TUTORiAL-SYNTHiC4TE
http://beelink.in/29634/How-To-Use-Valhalla-Freq-Echo-TUTORiAL-SYNTHiC4TE.html