Epic Indie New Wave WAV

P2P | 22.10.2016 | 699.94 MB

Bespoke music and sound design. TV & radio advertising, trailers & promos’, corporate production or wherever else tailored audio is required. Our expansive pool of composer and musician talent are all experts in specific genres and production methods and have provided music for literally hundreds of commercials, TV shows, promos & more. Our state-of-the-art Soho studios & suites not only mean production is always of unbeatable quality but that we’re on hand to turn around projects double fast, or faster if thats what you require. What this all adds up to is the provision of some seriously intuitive and nail-on-the-head audio… and some appreciated compliments and big-ups from happy creatives and producers.
Get in touch and let us show you why they are smiling.

INFO/DEMO: https://goo.gl/F0Kues
Epic Indie New Wave WAV
http://beelink.in/29448/Epic-Indie-New-Wave-WAV.html

Xiao Flute KONTAKT

FANTASTiC | 22 October 2016 | 358 MB

The Xiao is a ancient traditional Chinese, end-blown bamboo flute, also known as the dòngxiao. We have sampled this instrument with true legato intervals all the way up to the octave, and, like the bansuri, have artificially filled in the notes which actually are not possible to play on the instrument physically. With our instrument, you can play it in any key, as you would any other VST instrument on the keyboard, without worrying about which notes are possible etc.  There are multiple keyswitches, arranged so you can choose the first note of a phrase, and alter the experssion of notes throughout a phrase as you play, allowing for an extremely human like sound. The expression wheel also controls dynamics.

The range is two octaves, starting from Eb above middle C working up.

INFO/DEMO: http://redi.se/3f9f
Xiao Flute KONTAKT
http://beelink.in/29449/Xiao-Flute-KONTAKT.html

Sunkissed WAV

P2P | 22.10.2016 | 739.13 MB

Bespoke music and sound design. TV & radio advertising, trailers & promos’, corporate production or wherever else tailored audio is required. Our expansive pool of composer and musician talent are all experts in specific genres and production methods and have provided music for literally hundreds of commercials, TV shows, promos & more. Our state-of-the-art Soho studios & suites not only mean production is always of unbeatable quality but that we’re on hand to turn around projects double fast, or faster if thats what you require. What this all adds up to is the provision of some seriously intuitive and nail-on-the-head audio… and some appreciated compliments and big-ups from happy creatives and producers. Get in touch and let us show you why they are smiling.

INFO/DEMO: https://goo.gl/GQyGMx
Sunkissed WAV
http://beelink.in/29450/Sunkissed-WAV.html

Solo Violin KONTAKT

FANTASTiC | 22 October 2016 | 2.73 GB

This is the individual solo violin instrument from our “LSS Solo Strings” sample library bundle, which also replaces our previous solo violin, and is not even comparable in quality. We have sampled the instrument in a large beautiful London concert hall, with many microphones, making up four main, mixable mic perspectives, close mono, close pair, mid room and far room. The difference in perspectives is huge, meaning you can create sounds ranging from a very dry and up close sound, to a singing, naturally reverberated distant violin – as well as any degree between the two.

Three legato modes were sampled – slurred, bowed and portamento. These are easily switchable during use via keyswitches, and one exceptionally useful feature, which we are shocked to say we rarely see in string libraries, is the ability to change bow on the same note. Simply hold the note you want to change bow on, and press the low G keyswitch

Staccato and whole tone trills are also included, with the staccatos having 24 variations per note so as to never sound repetitive – also switchable via keyswitch.

Another feature included is the ability to alter the release sound when the final note is played and released. A soft release is a normal removal of the bow from the string, but through keyswitching, you can also select hard release, which triggers a hard release. This is the sound of a player ending the note with a sharp crescendo and quick accented lift of the bow.

INFO/DEMO: http://redi.se/3f9g
LSS Solo Strings – Solo Violin KONTAKT
http://beelink.in/29451/LSS-Solo-Strings-Solo-Violin-KONTAKT.html

FL Studio 12 MAC OSX ALPHA v0.9h

P2P | 22.10.2016 | 369.89 MB

FLS 12 is a complete software music production environment, representing more than 14 years of innovative developments and our commitment to Lifetime Free Updates. Everything you need in one package to compose, arrange, record, edit, mix and master professional quality music. FLS 12 is the fastest way from your brain to your speakers.

READ THIS BEFORE INSTALLING
ALPHA Software is for TESTING & SOFTWARE DEVELOPMENT, not music production. It will crash and behave in unexpected ways. It is missing features.

BUGS
You can report them (although we are aware of many already), but don’t expect us to act on them for a while, we are still in heavy development ;)

This is a Native OS X version of FL Studio 12. It is not a Windows application in disguise.

Requirements:
1. OSX 10.7 or later
2. You must be admin user to install and run

Notable things that DO NOT WORK yet:

Rewire.
Plugins: That return ‘Can’t be found’ message when you try to open them.

ALPHA 0.9h WHAT’S NEW (19-Oct-2016):
– Fixed keyboard sticking issues
– More fixes to ZGE Visualiser
– Fixed VSTs with white UI sheets
– Fixed FPC pad-only mode
– Fixed control visibility issues
– Added drag and drop from finder for most areas of FL

ALPHA 0.9g WHAT’S NEW (13-Oct-2016):
– Fixed black rectangles behind windows
– Fixed CR pop-to-front after dialog sheet close
– Fixed plugin manager permissions
– Re-added ctrl+tap on trackpad to remove notes from Step Sequencer
– Fixed toolbar ordering bugs
– Fixes to ZGE Visualiser

INFO/DEMO: http://goo.gl/bb0YXm
FL Studio 12 MAC OSX ALPHA v0.9h
http://beelink.in/22902/FL-Studio-12-MAC-OSX-ALPHA-v0.9h.html

How To Use Logic Pro X Alchemy TUTORiAL

SYNTHiC4TE | Oct 22 2016 | 695 MB

Alchemy is a powerful sample manipulation synthesizer. Here we learn how to quickly find and shape sounds from the massive Alchemy library (3000 presets anyone!) or create your own with a choice of synthesis engines and advanced morphing tools. Putting it through its paces we dive deep into the analog-modelled filters, multiple modulation sources, an integrated arpeggiator and talk about what the different synths engines do and how to use them…

INFO/DEMO: http://redi.se/3f9h
How To Use Logic Pro X Alchemy TUTORiAL
http://beelink.in/29452/How-To-Use-Logic-Pro-X-Alchemy-TUTORiAL.html

MakeMusic Finale v25.1.0.232 WiN MAC

P2P | October 20 2016 | MAC: 3.02 GB | WiN: 3.19 GB

R2R UPDATE: | 22.10.2016 | WiN: 324.13 MB | OSX: 100.3 MB

To notate music is to look forward – to the performance, and beyond. Whether you’re creating a simple lead sheet, making worksheets for your students, or composing your magnum opus, Finale helps you easily capture your musical ideas, produce beautiful notation, and quickly share the results. For 25 years, Finale’s unique ability to create anything on the printed page has remained undisputed while other music notation software has come and gone. Finale 2014 is the forward-looking choice with new innovations, making Finale’s trademark freedom and flexibility easy for everyone to use.

Begin creating your musical legacy today.
Focus on your art, not the details When inspiration strikes, Finale takes care of the details so you can focus on your music. Capture ideas as fast as you can – with no obstacles to slow you down.
Your music, your way

In an instant you can move measures, change keys, or perform dozens of edits to capture, arrange, perfect, and print anything you can imagine. Finale even offers creative and editorial input, from automatically harmonizing your melody to indicating when an instrument is out of range.
Enter notes your way

The choice is yours. Play in your notes with a MIDI keyboard, mouse, or computer keyboard. Scan sheet music or import a wide variety of file types, such as MIDI and MusicXML™. You can even capture a brass or woodwind performance with Finale’s MicNotator®.

What’s New in MakeMusic Finale 25:
Create Your Way
– Whatever music you imagine, the new Finale can bring it to life, more quickly and easily than ever before.
– Now a full 64-bit application, the new Finale includes many under-the-hood enhancements resulting in improved performance. But that’s only half of the equation.
– While Finale has always been recognized as the software that can create ANYTHING, the new Finale also streamlines your workflow so that you can create in a more intuitive and efficient manner.
– Plus there are new ways to sync with other apps, new sounds, and better ways to share your music with others.
– Take control of your music, your creative process, and your legacy.

Get more done in less time
Finale has always been recognized as the music notation software that can create anything. The new Finale simplifies the creation process in multiple ways.
– While previous versions of Finale could create tall time signatures, like those seen at left, it admittedly took a few steps. Today it’s easy.
– When entering notes into transposing staves, the new Finale plays the correctly transposed pitch both upon entry and playback.
– An all new Aria Player greatly simplifies and expedites the selection of instruments from the ever-growing library of stellar Garritan sounds.
– We’ve also made new looks possible (including contoured dashed slurs) and eliminated dozens of bugs.

Connect with ReWire support
– The new Finale includes ReWire support making it possible to use Finale simultaneously with top digital audio software including Digital Performer, ProTools and Logic.
– Imagine you’ve created a pop tune in Logic and want to add a live horn section. With ReWire you can create the charts in Finale, press play in Logic, and hear both programs playback simultaneously – and remain in sync. You’ll hear how your horn parts work against the existing audio tracks – before the performers come into the studio to play them.
– ReWire will also benefit anyone writing for film as it also allows you to synchronize with the video support found in programs like Digital Performer, ProTools and Logic.
– Connecting with other programs is one more way Finale helps you create your way.

64-Bit Support and More
– Finale is now a full 64-bit application. This means that you can take best advantage of the processing powers of modern computers.
– It also ensures that Finale can maintain compatibility with future operating systems and makes it easier for Finale developers to improve your user experience more quickly.
– Finale users utilizing high-end sound libraries know that many of these are 64-bit only. The new Finale will allow them to use these libraries directly in Finale, without any intervening 3rd party software AND allow them to load more samples into memory than ever before.
– While a major undertaking, this 64-bit compatibility is just part of the forward-looking enhancements found in the new Finale. We’ve also overhauled Human Playback (today it responds instantly when you press playback) and expanded Finale’s MusicXML import and export so you can share music (back and forth) with users of other software more accurately than ever before. And of course you can share files with Finale 2014 without any conversion at all!

New Garritan Sounds
Great playback sounds inspire not only our listeners, the inspire the creative process. When you hit play and the results exceed your expectations, you push harder, too. The library of premium Garritan sounds included with Finale has been significantly augmented with more than 100 new additions, including a stunning Concert D grand piano from the award-winning Personal Orchestra 5, dozens of exotic world instruments, plus new keyboards, brass, woodwinds, choirs, strings, mixtures, percussion, and more.

System Requirements:
Windows:
– Windows 7/8/10 (64-bit required)
– Intel® Core™ 2 Duo processor or AMD Athlon™ processor (Intel® i3 or AMD Athlon™ II X2 and above recommended)
– 600MB hard drive space required for software

MacOS:
– OS X® 10.10-10.12
– Intel® Core™ 2 Duo processor or better (Intel® i3 processor and above recommended)
– 700MB hard drive space required for software

Own the future today with Finale.

INFO/DEMO: http://redi.se/bpa
MakeMusic Finale v25.1.0.232 WiN MAC-R2R
http://beelink.in/10571/MakeMusic-Finale-v25.1.0.232-WiN-MAC-R2R.html

Solo Viola KONTAKT

FANTASTiC | 22 October 2016 | 2.78 GB

The solo viola boasts the same set of fantastic features as its cousins from the LSS Solo Strings bundle, including THREE true legato types, 8RR x 3 Dynamic Layer Staccato playing, TWO true release modes (hard and soft), plus trills, al with four fantastically blendable mic positions, which, between them, can offer a huge variety in sonic pallete.  The three legato modes – slurred, bowed and portamento, are easily switchable during use via keyswitches, and one exceptionally useful feature, which we are shocked to say we rarely see in string libraries, is the ability to change bow on the same note. Simply hold the note you want to change bow on, and press the low G keyswitch.

Staccato and whole tone trills are also included, with the staccatos having 24 variations per note so as to never sound repetitive – also switchable via keyswitch.

Another feature included is the ability to alter the release sound when the final note is played and released. A soft release is a normal removal of the bow from the string, but through keyswitching, you can also select hard release, which triggers a hard release. This is the sound of a player ending the note with a sharp crescendo and quick accented lift of the bow.

INFO/DEMO: http://redi.se/3f9j
LSS Solo Strings – Solo Viola KONTAKT
http://beelink.in/29453/LSS-Solo-Strings-Solo-Viola-KONTAKT.html

Cassetto v1.2 KONTAKT 5.6

SYNTHiC4TE | Oct 22 2016 | 440 MB

The idea behind Cassetto was to create a synthesizer which has an old and slightly faulty sound as well as a fairly fixed yet interesting architecture. The end result is a synth with it’s own character and capable of some very unique tones. Although Kontakt is often used for complex samples, Cassetto uses sampled oscillators so that it is a true synthesizer and all sounds are constructed in the same way as any other subtractive synth, it comes with 200 presets with more to come, however it is also a synth that invites you to make your own.

The Process
Firstly, I chose the Elektron Analogue Four for the Oscillators as it has a nice selection of strong analog waveforms. Each of the Raw Waveforms was then recorded note by note over 4 octaves onto a very old and well worn cassette. I have owned this cassette since at least 1987 as it had me playing guitar badly around that time, which was recorded over a Pet Shop Boys album funnily enough. It was the 3rd cassette I tried and had the most dropouts which is what I was looking for. This is the Cassette:

I had been looking for a suitable cassette deck for this project for a long while, and a friend came up with this one (JVC CD-1635 MK II) which is actually a really nice machine after bit of de-oxit, I’d already tried a couple of others with auto gain inputs which was a bit too extreme, I was after subtlety. Here is what it looks like (you can see the cassetto! cassette if you look closely).

These were then recorded into the computer through a focusrite OctoPre and each 4 second sample was looped manually at different lengths to provide the multisampled oscillators. I was actually surprised how lovely they sounded once tamed by Filters. This is what some of the raw unfiltered waveforms sound like with random start time (phase).

It also occurred to me that it might be interesting to use some single cycle loops from clean recordings of the A4, which would add a whole other dimension to the sound possibilities, so I did this for 5 of them, and they sounded good and added a nice contrast to the tape Oscillators. I then finished off the oscillators by creating some detuned and mixed groups of the single cycles. I also tried to be a bit imprecise with the looping of the single cycles to give them a slightly detuned broken oscillator sound, although it is subtle.

The Synth Engine
I created a soundset for Bassline-101, and whilst working on it, I really came to appreciate the simplicity of the SH-101 design and so in my head that was the starting point for Cassetto. As you can probably see it went way beyond that simplicity, but I tried hard to keep to the idea of making it hard to make bad sounds which is the strong point of the 101. I just can’t seem to keep things that simple…

My second thought was that I wanted it to be an instrument that Boards of Canada could use, I think out of any band they always seem to get sounds out of synths which is hard to describe, but to me always sound like childhood/Nostalgia. So, I had the cassette sampled oscillator, the next thing on my list was a way to warble the sound, a wow and flutter dodgy cassette sort of thing. On the synth it’s called Unstable (UNST) and it works very nicely to create that feel. Finally I wanted to get some subtle saturation and most importantly sample rate/bit rate reduction in there, which is not only great for emulating digital gear, but it can make sound take on characteristics of Mellotrons and acoustic instruments sometimes. After some experimentation I decided to place it in between the 2 filters which leaves the option of having either a Low Pass in slot 2 for grit, or a High Pass for Noise and it works really well.

Initially I started with hard wired Serial Filters, but after trying out splitting the filters one to each oscillator it opened a whole new world I couldn’t ignore, I followed that up with giving the ability to use the Filter envelope to control the Volume of Oscillator 2 and/or Noise. This just makes so many new sounds possible for the sake of a couple of buttons.

With the Arpeggiator I began by using the one I’d built for Multiverse, however I really wanted a Chord Mode and I ended up rebuilding it and so it does function slightly differently. It is basically a standard Arpeggiator with Sequencers grafted on, this can lead to some very complex polyrhythms. The other addition over the Multiverse ARP is the 16 note Pitch Sequencer which if you play a single Note behaves like a classic Sequencer.

Highlights
– 2 Oscillators with both multi-sampled cassette sampled sound and single cycle Waveforms
– Noise Oscillator sampled from Tape
– Unstable for warbling the oscillator pitch
– Dual Filters with a large choice of filter types
– Parallel Filters or One for each Oscillator
– 2 LFOs with selectable Waveforms, LFO1 resets on note, LFO2 is free running
– Random LFO of the Filter
– Filter Envelope for the Cutoff, Pitch and Optional Volume of Oscillator 2
– VCA Envelope for Volume Control
– Reverb with 50 Impulse Responses
– Delay
– Modulator with a choice from Chorus, Flanger or Phaser
– Arpeggiator with Sequencers for various parameters
– Preset Browser with the ability to save presets
– Global Randomizer and Default, with the ability to save you own Default preset.
– Section Default and Randomizer buttons over 200 Presets (with more to come)

IMPORTANT: You must have the full version of Kontakt 5.6 to use Cassetto, it will not load in earlier versions as it makes full use of the new GUI size. It will also only work for 15 minutes in the player.

Cassetto Updated to v1.2:
– Added Filter Swap Button which exchanges the settings of the filters
– Added Buttons to assign LFO→Volume amounts to pitch instead
– Sequencer Lights now switch off when no notes are playing
– Added LFO Sync Mode
– Added Advanced Panel with extra controls for FX
– Added LFO3 with destinations for Resonance 1 & 2, Filter 1 & 2 and LFO1 Frequency
– Added ENV3 with destinations for Resonance 1 & 2, Filter 1 & 2, LFO1 Frequency and LFO3 Level.
– No Purge Option added (‘P’ next to ‘D’ in the master section
– Oscillator Waves now have a randomizer each
– Improved delay contamination when changing presets
– Some sliders can now have negative values so that 0 is the centre, a black mark at the centre of the scale shows this.

IMPORTANT: You must have the full version of Kontakt 5.6

INFO/DEMO: http://redi.se/3f43
Cassetto v1.2 for KONTAKT 5.6-SYNTHiC4TE
http://beelink.in/29159/Cassetto-v1.2-for-KONTAKT-5.6-SYNTHiC4TE.html

Clap Trak KONTAKT

0TH3Rside | October 22 2016 | 13 MB

Clap Trak is a well assorted collection of loads of different hand claps combined with a 16 step sequencer to generate pattern. Such as the other pattern generator Clap Trak is best suited to give your music a percussive addition. You can easily create several different clap styles such as flamenco feeling, vintage drum computer, wah style, single & group claps and much more. Clap Trak works perfect in comination with Geiger Counter or Jetlag :)

The Content
Clap Trak comes up with three different banks of hand claps. The first bank contains human hand claps and sounds. To achieve a very authentic clap feel we recorded all these sounds in 8 velocity layer and 6 round robin variations. Besides 2 group claps this bank provides 4 single claps, stick and snip sounds. In the second bank there are 9 different „classical“ drum machine claps which we collected over the last 20 years.

You will find samples of the TR-909, TR-808, Clap Trap, Linn Drum and other. The third bank consist of several unsorted claps that has built up over a number of years. It covers a range from single human claps to synthetic processed ones.

Clap Trak provides plenty of further options to change the sound to your very own requirements: reverb, delay, pitch, wah-like EQ modifier, Lo-Fi and distortion fx as well as the “Continuous Random Pattern” which works as a self generating pattern and fills every 16th note with a different velocity layer and length.

The Package
1 complex patch including step sequencer which runs in standalone mode as well as in-sync to your host application. Kontakt 3 full version is required

INFO/DEMO: http://redi.se/3f9k
Clap Trak KONTAKT
http://beelink.in/29454/Clap-Trak-KONTAKT.html

Live Drums Bundle KONTAKT

P2P | Oct 23 2016 | 10.1 GB

This incredible drum bundle consists of 11,821 WAV drum hit samples (9,901 samples within Kontakt instruments) recorded in stunning 24 bit / 44.1kHz quality, covering every possible sound variation of multiple brands and sizes of snares. cymbals, hi-hats, kicks and toms!

The collection is available in both Kontakt & standalone WAV format, so even if you don’t have Kontakt, you can still use these incredible samples. In total you’re getting:
– 10,133 Cymbals
– 6,700 Hi Hats
– 4,166 Snares
– 6 Kicks
– 20 Toms

The standalone WAV version contains 11,821 samples (9.12 GB) and the Kontakt version contains 9,901 samples (5.55 GB). Both versions are included in the download (there are more samples in the WAV version as there are multiple impulse responses which can be added to the samples via Kontakt)

Note: Kontakt patches require the full version of Kontakt 5.5. Not compatible with Kontakt Player

INFO/DEMO: http://redi.se/3f9m
Live Drums Bundle KONTAKT
http://beelink.in/29455/Live-Drums-Bundle-KONTAKT.html

Analogue Longue WAV

P2P | 23.10.2016 | 556.78 MB

Bespoke music and sound design. TV & radio advertising, trailers & promos’, corporate production or wherever else tailored audio is required. Our expansive pool of composer and musician talent are all experts in specific genres and production methods and have provided music for literally hundreds of commercials, TV shows, promos & more. Our state-of-the-art Soho studios & suites not only mean production is always of unbeatable quality but that we’re on hand to turn around projects double fast, or faster if thats what you require. What this all adds up to is the provision of some seriously intuitive and nail-on-the-head audio… and some appreciated compliments and big-ups from happy creatives and producers. Get in touch and let us show you why they are smiling.

INFO/DEMO: https://goo.gl/mk4tVD
Analogue Longue WAV
http://beelink.in/29456/Analogue-Longue-WAV.html

Epic Indie Anthemic WAV

P2P | 23.10.2016 | 782.23 MB

Bespoke music and sound design. TV & radio advertising, trailers & promos’, corporate production or wherever else tailored audio is required. Our expansive pool of composer and musician talent are all experts in specific genres and production methods and have provided music for literally hundreds of commercials, TV shows, promos & more. Our state-of-the-art Soho studios & suites not only mean production is always of unbeatable quality but that we’re on hand to turn around projects double fast, or faster if thats what you require. What this all adds up to is the provision of some seriously intuitive and nail-on-the-head audio… and some appreciated compliments and big-ups from happy creatives and producers. Get in touch and let us show you why they are smiling.

INFO/DEMO: https://goo.gl/LmwHJq
Epic Indie Anthemic WAV
http://beelink.in/29457/Epic-Indie-Anthemic-WAV.html

FL Studio Know-How Recording Audio & MIDI TUTORiAL

SYNTHiC4TE | Oct 23 2016 | 197 MB

Eli returns with more great FL Studio video tutorials! Learn how to get your ideas down, using the different Audio and MIDI recording options in FL Studio, as well as how to freeze and render instruments. Eli begins with how to record audio to the playlist, record into Edison, and cool, sound on sound recording techniques. MIDI recording is then explored and Eli shows you how to record via your controller, by typing on a QWERTY keyboard, and via Step Entry. Wrapping it up, you’ll see how to record via the internal mixer, allowing you to take internal instruments and render them to their own audio clip in the playlist for easy arranging and more.

See the individual tutorial descriptions below for more info. If you’re ready to get your ideas into FL Studio, watch “FL Studio Know-How: Recording Audio & MIDI” today!

INFO/DEMO: http://redi.se/3f9n
FL Studio Know-How Recording Audio and MIDI TUTORiAL-SYNTHiC4TE
http://beelink.in/29458/FL-Studio-Know-How-Recording-Audio-and-MIDI-TUTORiAL-SYNTHiC4TE.html

Producing Bass Lines with SUBSTANCE TUTORiAL

SYNTHiC4TE | Oct 23 2016 | 340 MB

SUBSTANCE new bass synth virtual instrument, and production wiz Larry Holcombe takes you on a video tutorial journey into SUBSTANCE, using it to create bass sounds and lines for a wide variety of genres! Larry starts off by showing your the finer nuances of creating Wobble House and Electro bass sounds and lines using Substance’s powerful features and effects. House and Nu Disco bass tones and parts are broken down, followed by how to make the incredibly popular Trap and 808 style productions and lines that are charting big today. Moving on you’ll see how to create killer Dubstep and lead sounds, analog Techno sequences and even big, cinematic bass sounds and parts perfect for picture, soundtracks and more!

See the individual tutorial descriptions below for more info. If you have SUBSTANCE and are into EDM or just want to see what you can do with this awesome synth, checkout “Producing Bass Lines with Output SUBSTANCE” now.

INFO/DEMO: http://redi.se/3f9p
Producing Bass Lines with SUBSTANCE TUTORiAL-SYNTHiC4TE
http://beelink.in/29459/Producing-Bass-Lines-with-SUBSTANCE-TUTORiAL-SYNTHiC4TE.html

RadioApp v1.1.1 macOS

P2P | 23.10.2016 | 5 MB

Listen to radio stations from all over the world. Choose your favorites from our selection of over 28,000 stations and even more to come.

Details:
● You have an iOS device? Excellent! RadioApp synchronizes your favorite stations via iCloud and supports Apples Handoff technology. The same is true if you use RadioApp on multiple Macs.
● Our station database is always growing and with our automatic update system you receive new stations nearly instantly.

Languages: English, German
Compatibility: OS X 10.11 or later, 64-bit processor

INFO/DEMO: https://goo.gl/q8oCtE
RadioApp v1.1.1 macOS
http://beelink.in/29460/RadioApp-v1.1.1-macOS.html

Bansuri Flute KONTAKT

FANTASTiC | 22 October 2016 | 528 MB

The Bansuri is an traditional, ancient Indian flute. Get that fantastic, well known and loved ethnic sound in your scores/soundtracks.  Featuring true legato interval playing, we have sampled this instrument extensively with a wide variety of expressional playing, vibrato, no vibrato, artiulations including different types of turn, more complex ornaments, FP (loud – sudden quiet), accelerating vibrato and airy soft vs harder attacks. These are all switchable throughout playing via two conveniently placed keyswitch areas below the main playing range on your keyboard.

We also sampled all legato intervals up to the octave for true realism in playing, plus, due to the fact that the Bansuri does not play chromacitally (all notes), we artificially filled these notes in so you can now play it in any key for the convenience of your music.

The range is two octaves, starting from middle C going up.

INFO/DEMO: http://redi.se/3f9r
Bansuri Flute KONTAKT
http://beelink.in/29461/Bansuri-Flute-KONTAKT.html

JUP-8 V v3.0.4.1078 macOS

P2P | 23 October 2016 | 222 MB

STANDALONE AAX AU VSTi VST3

Jup-8 V is a powerful addition to the family of analog synthesizer recreations. Offering the unique sound palette of the Roland Jupiter 8, this virtual version is a sound designer’s dream.

Main Features:
– More than 500 high-quality, innovative presets
– Up to 32 voices of polyphony
– The same unique audio structure as the original synth: 2 oscillators per voice, 2 LFOs, 2 filters and 2 envelopes
– Unison mode up to 4 voices
– Two simultaneous voice-level effects (serial): Chorus/Flanger, Phaser, Distortion, Parametric EQ and Ring Mod with flexible routing options
– Two simultaneous Patch-level stereo effects (serial): Chorus/Flanger, Dual Delay, Phaser and Reverb
– Performance-oriented step-sequencer
– Galaxy: an innovative module for advanced LFO modulation capabilities
– Keyboard split and layer
– Configure external MIDI control quickly and easily

Jup-8 V v3.0.4:
Bugfixes

• Effect bypass is now working properly
• Tooltip labels for the effects are more explicit
• “About” panel graphical improvements
• Switching Osc waveform from Rectangle to Square back to Rectangle now loads the correct waveform
• LFO Rate now matches the displayed value in the tooltip
• PWM is not applied on the triangle wave anymore
• Proper tooltip info on step sequencer steps 2-32
• Polyphonic voice allocation now matches the original synthesizer behavior.
• No more crashes in MainStage after a time of use
• No more issues with OpenGL 2.0 computers
• Plugins now handle MIDI properly in all DAWs when the interface is minimized
• Exporting – importing presets can now be done when the folder name contains special characters
• Reloading preset in upper toolbar now properly reloads the preset
• REAPER – State is now correctly saved / recalled
• Keyboard GUI is now properly displayed when playing with the mouse
• MIDI CC automations are smoother when bouncing offline
• Program changes are properly implemented in AU version
• Added “OK” button on bottom of audio device settings
• No more parameter transmitted when the plugin receives a MIDI Stop message
• Communication with Arturia Software Center is now properly handled on Mac OSX
• MIDI mapping is now functional in REAPER 5
• MIDI Sync are now properly transmitted in Standalone

INFO/DEMO: http://redi.se/3f9s
JUP-8 V v3.0.4.1078 macOS
http://beelink.in/29462/JUP-8-V-v3.0.4.1078-macOS.html

SEM V v2.0.4.1087 macOS

P2P | 23 October 2016 | 338 MB

STANDALONE AAX AU VSTi VST3

A giant has returned to life. Oberheim’s legendary SEM – Synthesizer Expander Module – is back for the first time as a high-end software emulation exclusive TAE technology. Faithfully reproducing the warm Oberheim SEM tone, the Oberheim SEM V is also polyphonic, with a full array of innovative sonic features. Favored by top artists and producers such as Goldfrapp, Herbie Hancock and even John Carpenter for its fatness and unique harmonic spectrum, the Oberheim sound is an absolute must have for your studio.

Analog masterpiece revisited
Accurately recreating the tone, waveshapes, multimode 12dB/octave filter and other detailed characteristics, the Oberheim SEM V delivers all the deep analog sounds that made its grand ancestor so unique and praised among all analog synthesizers. The Oberheim SEM V also expands the possibilities of the original thanks to powerful additional features. Besides polyphony, MIDI control and arpeggiation, a full set of new parameters is available.

8-voice creativity
The SEM V not only excels at growling basses and textured leads, but it also brings the warm brasses, ethereal pads, and amazing sequences possible on the expensive Oberheim 8 Voice model. By using the 8 Voice Programmer module, it becomes extremely intuitive to edit each SEM voice independently to create lively modulations in your sound. But you can even go further in shaping complex sounds, by using the advanced Keyboard Follow and the Modulation Matrix.

SEM V release notes V 2.0.4:
Bugfixes

• No more skipped steps on the step-sequencer GUI
• Inactive steps in the step-sequencer are now properly shown
• NKS integration improvements
• No more crashes in MainStage after a time of use
• No more issues with OpenGL 2.0 computers
• Plugins now handle MIDI properly in all DAWs when the interface is minimized
• Exporting – importing presets can now be done when the folder name contains special characters
• Reloading preset in upper toolbar now properly reloads the preset
• REAPER – State is now correctly saved / recalled
• Keyboard GUI is now properly displayed when playing with the mouse
• MIDI CC automations are smoother when bouncing offline
• Program changes are properly implemented in AU version
• Added “OK” button on bottom of audio device settings
• No more parameter transmitted when the plugin receives a MIDI Stop message
• Communication with Arturia Software Center is now properly handled on Mac OSX
• MIDI mapping is now functional in REAPER 5
• MIDI Sync are now properly transmitted in Standalone

INFO/DEMO: http://redi.se/3325
SEM V v2.0.4.1087 macOS
http://beelink.in/19458/SEM-V-v2.0.4.1087-macOS.html

STAGE-73 V v1.0.4.1081 macOS

P2P | 23 October 2016 | 373 MB

STANDALONE AAX AU VSTi VST3

The Stage-73 gives you actual authentic modeling of both Stage and Suitcase versions of the most popular electric piano on the planet —completed with unparalleled control of virtual mechanics, a complement of effects pedals, and built-in classic amps. The Stage-73 uses our award-winning modeling technology to faithfully reproduce the tine-based sound and playing experience of the most loved electric pianos of all time. We modeled both the Fender Rhodes Suitcase Piano and Stage Piano—including separate 1973 and 1974 models of the Stage in order to capture the difference in their components. We’re talking total sonic and aesthetic fidelity to the originals. You can even easily pop the top and customize the various mechanical components to make your instrument unique. Classic amps and an array of effect pedals round out the virtual electric piano you’ve always dreamed of having.

Main Features:

• Advanced Physical modeling engine (no static samples)
• Stage and Suitcase models
• Stage model features
• Fender Rhodes™ Stage 73 1973 and earlier (Tone)
• Fender Rhodes™ Stage 73 1974 and later (Bass Boost)
• Fender Twin amp
• Modeled spring reverb
• On and off axis mic placement
• Tone controls
• Mono vibrato
• Effects are post output circuits
• Suitcase model features
• Bass and treble EQ models
• Stereo Vibrato with speed and intensity controls
• Modeled preamp of the Suitcase amp
• Effects loop (pre-EQ)
• Output effects where you can change the order
• Volume, wah, auto-wah
• Flanger
• Compressor
• Chorus
• Analog Delay
• Advanced mode for editing the model itself
• Harmonic profile selections
• Velocity curve editor
• Tone bar resonance
• Pickup distance
• Tuning
• Pickup alignment
• Damper distance
• Dynamic range
• Hammer hardness
• Hammer noise
• 80 factory presets
• Easy to use MIDI mapping

STAGE-73 V 1.0.4.1081
10-Oct-2016
Improvements
– Fixed reverberation tail that was cut a bit short Fixed Analog Delay sound on last echoes
Bugfixes
– Various compatibility improvements on NKS

INFO/DEMO: http://redi.se/3f9t
STAGE-73 V v1.0.4.1081 macOS
http://beelink.in/29463/STAGE-73-V-v1.0.4.1081-macOS.html